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・ Johann Stadler
・ Johann Stadlmayr
・ Johann Stamitz
・ Johann Stangl
・ Johann Steffens
・ Johann Stegner
・ Johann Steinhauer
・ Johann Stephan Decker
・ Johann Stephan Pütter
・ Johann Stephan Rittangel
・ Johann Stieglitz
・ Johann Stobäus
・ Johann Straub
・ Johann Strauss (disambiguation)
・ Johann Strauss I
Johann Strauss II
・ Johann Strauss III
・ Johann Strauss Orchestra
・ Johann Strnad
・ Johann Stumpf
・ Johann Stumpf (engineer)
・ Johann Stumpf (writer)
・ Johann Sturm
・ Johann Stössel
・ Johann Sudholz
・ Johann Summer
・ Johann Sylvan
・ Johann Sziklai
・ Johann Tauscher
・ Johann Tetzel


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Johann Strauss II : ウィキペディア英語版
Johann Strauss II

Johann Strauss II (October 25, 1825 – June 3, 1899), also known as Johann Strauss, Jr., the Younger, the Son (), Johann Baptist Strauss, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely then responsible for the popularity of the waltz in Vienna during the 19th century.
Strauss had two younger brothers, Josef and Eduard Strauss, who became composers of light music as well, although they were never as well known as their elder brother. Some of Johann Strauss' most famous works include "The Blue Danube", "Kaiser-Walzer", "Tales from the Vienna Woods", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known.
==Early life==

Strauss was born in St Ulrich near Vienna (now a part of Neubau), Austria, on October 25, 1825, to the composer Johann Strauss I. His paternal great-grandfather was a Hungarian Jew – a fact which the Nazis, who lionised Strauss's music as "so German", later tried to conceal.〔(The story of the forgery in 1941 of the entry for the marriage of Johann Michael Strauss to Rosalia Buschin )〕 His father did not want him to become a musician but rather a banker.〔 Nevertheless, Strauss Junior studied the violin secretly as a child with the first violinist of his father's orchestra, Franz Amon.〔 When his father discovered his son secretly practising on a violin one day, he gave him a severe whipping, saying that he was going to beat the music out of the boy. It seems that rather than trying to avoid a Strauss rivalry, the elder Strauss only wanted his son to escape the rigours of a musician's life.〔Gartenberg (1974), p. 124〕 It was only when the father abandoned his family for a mistress, , that the son was able to concentrate fully on a career as a composer with the support of his mother.〔Gartenberg (1974), p. 121〕
Strauss studied counterpoint and harmony with theorist Professor Joachim Hoffmann,〔 who owned a private music school. His talents were also recognized by composer Joseph Drechsler, who taught him exercises in harmony. It was during that time that he composed his only sacred work, the graduale ' (1844). His other violin teacher, Anton Kollmann, who was the ballet répétiteur of the Vienna Court Opera, also wrote excellent testimonials for him. Armed with these, he approached the Viennese authorities to apply for a license to perform.〔Gartenberg (1974), p. 126〕 He initially formed his small orchestra where he recruited his members at the ''Zur Stadt Belgrad'' tavern, where musicians seeking work could be hired easily.

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